Late May 2023
May 19th-26th, 2023
Have you dreamed of writing a screenplay and seeing it come to life on the silver screen?
Or maybe you’ve published a book and are wondering about how to turn it into a film script?
Seems impossible, right?
Well, the answer, is, NO! Nothing is impossible, and on this one-of-a-kind writers’ retreat, at the beautiful 16th century Aragonese Castle set on a rock off the coast of the island of Ischia (where The Talented Mr Ripley was shot), we’ll show you just how your words, your vision—let’s face it, your baby—can make it all the way to the big screen!
Joan Lane is a British film and theatre producer, primarily known for having developed the Academy Award-winning THE KING’S SPEECH, directed by Tom Hooper, starring Colin Firth, Geoffrey Rush and Helena Bonham Carter, and adapted from the stage play by its author David Seidler.
Her company, Wild Thyme Productions, has toured six innovative productions of Shakespeare’s plays in the UK and Germany and mounted world premiere showcases and readings of new plays and musicals in London. She is a member of Musical Theatre Network UK, concerned with the writing of new musicals, and member of the British Shakespeare Association.
Primarily engaged as a Consultant by the BBC, Joan skills were used for the recording, filming and Royal Opera House performance of ‘The Little Prince’. She was a director for BBC Radio Two and BBC Television’s New Talent UK-wide search for the ‘Voice of Musical Theatre’, involved with background music for the film ‘The Actors’, coordinated the participation of singing Angels for Stephen Fry’s directorial film debut ‘Bright Young Things’ and worked on the BBC’s Promenade Concert/Opera ‘The Water Diviner’s Tale’.
As well as touring with her own company, Joan has worked on several plays at the Royal National Theatre and toured plays with ATG and Pleasance Theatre. She recommends scripts to Russian translator colleagues and two plays were produced in Russia recently.
Her own first original screenplay, completed in 2018 and based on the true story of a 1930s actress and singer, was recently taken up and is expected to go into production in 2020.
Joan is currently working with new writers to develop two films and three new TV series.
In addition, four TV series on which she has worked with first-time writers are under consideration.
As the Senior VP of Talent Development for WarnerMedia Entertainment, Kelly Edwards oversees all emerging artist programs for HBO, HBOMax, and Turner.
Edwards brought an innovative new approach to developing the company’s writing and directing fellowships which have become an industry best practice. By marrying the two programs, material created by the writers is shot by the directors with a fully inclusive crew for air on WarnerMedia’s digital platforms. The content has garnered festival awards at SXSW, Tribeca, Seriesfest to name a few.
Prior to HBO, Edwards was a key corporate diversity executive at Comcast/NBCUniversal for over five years where she oversaw over 20 divisions, launched employee resource groups, and introduced diverse creative talent to NBC, USA, Syfy, Bravo, and Telemundo.
Edwards’ career has spanned both television and film having produced the movie of the week A CHRISTMAS DETOURfor Hallmark, the one hour series SEX, LOVE, AND SECRETSfor UPN, serving as a network executive for UPN and Fox, and as a creative executive in features. As an executive she helped to develop series such as GIRLFRIENDS, THE PARKERS, MALCOLM IN THE MIDDLE, CLUELESS,and THE WILD THORNBERRYS.
In 2000, Edwards co-founded the non-profit organization Colour Entertainment, a networking group for diverse creative executives and assistants in TV, Film, and Digital, all designed to connect current and future industry executives with one another.
Edwards graduated from Vassar College with a Bachelor of Arts degree in Theater and holds an MFA in Writing for Film and Television from Emerson College. She currently serves on the Annenberg Inclusion Board and is a 2019 Sundance Episodic Lab fellow.
Stan Zimmerman’s long career covers multiple mediums (TV, film and theatre) and he’s won many LA directing awards, including one from BroadwayWorld.com. In addition, he's been nominated for two WGA Awards for Best Comedy Episodic writing for his work on the classic TV series, THE GOLDEN GIRLS and ROSEANNE.
Stan’s also written and produced on GILMORE GIRLS and co-created the Lifetime sitcom, RITA ROCKS. He was Director/Writer/EP/Creator on the Emmy-nominated web series, SECS & EXECS, on Tellofilms. In film, he wrote both BRADY BUNCH movies.
He has been busy lately writing, directing and producing theatre in Los Angeles. Some of Stan's critically-acclaimed productions include: the LatinX The Diary of Anne Frank, Heartbreak Help, Pledge, Warm Cheese, Entertaining Mr. Sloane, BLINK & You Might Miss Me, Spike Heels, A Tuna Christmas and Gemini. He also directed two of the plays he wrote with Christian McLaughlin: Yes Virginia, Knife to the Heart and Meet & Greet.
Stan has appeared on Broadway with Nureyev & the Joffrey Ballet at the Mark Hellinger Theatre and was the Host/Showrunner on Sean Hayes’ Bravo reality show, SITUATION: COMEDY. Stan also teaches audition technique classes in LA and NYC. He has a BFA-Drama NYU/Circle-in-the-Square.
Diane Drake is an accomplished professional screenwriter, writing instructor, story consultant, speaker, and author. Prior to becoming a screenwriter, Diane served as Vice President of Creative Affairs for Academy Award-winning director/producer Sydney Pollack. Her first produced original script, ONLY YOU, starring Robert Downey, Jr. and Marisa Tomei, sold for one million dollars, while her second produced script, WHAT WOMEN WANT, starring Mel Gibson and Helen Hunt, is the second highest grossing romantic comedy of all time. In addition, both films have recently been remade in China featuring major Chinese stars.
Diane is a member of the Writer’s Guild of America and has been an instructor/speaker/panelist for the Austin Film Festival, UCLA Extension Writer’s Program, Scriptwriter’s Network, Story Development Group, University Club, and Writer’s Store. She has also served as a judge for the Austin Film Festival, UCLA Extension Contest, and The Humanitas Prize. She recently released her debut book, Get Your Story Straight: A Step-By-Step Guide To Screenwriting By A Million Dollar Screenwriter, (Reel Life Publishing, May 2016).
Prior to co-founding the management/production company Fictional Entity in January 2017, Chris Deckard spent over seven years working with and representing talent at major agencies such as ICM Partners and WME. He has worked closely with traditional and new media buyers to find and develop content for domestic and international audiences. In addition to helping cast and package numerous features and series, he has evaluated thousands of scripts for actors and directors. Chris graduated from Cornell University and earned his J.D. from Notre Dame Law School.
Fictional Entity’s clients have been named to The Black List, The Hit List, The Young & Hungry List, The Blood List and been lauded by the PAGE Awards, the International Emmys’ Peter Ustinov Award for exceptional international television writing and placed as finalists in The Heath Ledger Scholarship and the Academy Nicholl Fellowship The Academy Nicholl Screenwriting Awards, the AWG, ADG, SPA, and AACTA. Clients have written, directed, starred, and produced in numerous formats, including features, TV, virtual reality, and podcasts, independently and for companies like Netflix, NBCUniversal, Legendary, Marvel, Fremantle, SyFy, the CW, Warner Bros., Amazon, Blumhouse, Comedy Central, the ABC Australia, Foxtel, TruTV, Super Deluxe, Hallmark, CBS, Facebook, E!, and MSNBC.
Chris has advised clients through multiple successful series pilot and pitch sales. In 2019, Fictional Entity clients have: staffed on Netflix and Amazon series; directed features and high-budget shorts; entered option and shopping agreements with high-profile producers; and have premiered feature films and shorts at festivals around the world.
The Retreat includes...