Early June 2025

Martin Olson is an author, comedy writer and songwriter who plays Hunson Abadeer, Lord of Evil, on Cartoon Network’s Adventure Time.

He is best known as a head writer for Disney’s Phineas and Ferb, for his New York Times best-selling humor book The Adventure Time Encyclopaedia (Abrams, 2013), and his notorious satire Encyclopaedia of Hell (Feral House, 2011).

Specializing in writing comedy specials and directing one-man shows, Martin became producer-writer for Penn and Teller on their FX variety series Penn Teller’s Sin City Spectacular.

Martin has just published his third book for Adventure Time, The Enchiridion & Marcy’s Super Secret Scrapbook (Abrams, 2015), with his daughter, singer/songwriter Olivia Olson (Joanna in Love Actually). He is currently staff writer for the Disney series Milo Murphy’s Law.

Martin has received four Emmy nominations, two for television writing and two for songwriting. He also received an Ace Award for comedy writing and has sold comedy screenplays to Dreamworks, UA, Touchstone and Warner Bros.

The film rights to Encyclopedia of Hell were bought by Warner Bros, through producer Andrew Lazar for Mad Chance Productions.

Michael Davies is a UK-based director and writer, currently in pre-production on THE CAPTIVE HEART, a romantic adventure film, shooting this autumn on the Amalfi Coast.

Michael began his career making a wide range of critically acclaimed, award-winning documentaries and drama-documentaries for the BBC, ITV and Channel 4 - including seven films with legendary producer Beryl Vertue at Hartswood Films - as well as dramatised adventure films for Discovery Channel. Michael also directed fourteen episodes of the hit BBC children’s drama series TRACY BEAKER RETURNS, winning a BAFTA and two RTS (Royal Television Society) awards.
 
Michael has a long association with the RADA (the Royal Academy of Dramatic Arts), working with writers and directing rehearsed readings and performances of new plays. Two of his feature scripts - THE CAPTIVE HEART and PSYCHOPOMP - have been developed with the Academy. Michael also teaches a regular screen acting masterclass in London, and passionately believes that the way to attract the best talent to your projects is to write characters actors will want to play.

Michael's short film WHAT’S VIRGIN MEAN? screened at over sixty international festivals, winning eight awards and attracting more than ten million hits on YouTube; unusually for a short, it also made a profit. Another of his films, LOVE AT FIRST SIGHT, starring John Hurt and Phyllida Law, won fifteen awards, including an RTS, Rushes and Raindance, and was shortlisted for an Oscar.

Wendy Kram is a producer and one of the industry’s leading script consultants. She is the founder of L.A. For Hire, an international consulting company that specializes in acquiring IP, developing scripts, packaging them with talent and directors and matching them with production companies, studios, streaming providers, networks and cable companies.

Wendy currently serves as an executive and producing partner at Reuben Cannon Productions, overseeing development for features and televisions series in partnership with DISNEY +, Oprah Winfrey’s HARPO FILMS, TRIBECA, and FOREST WHITAKER’S SIGNIFICANT PICTURES, among others.  She is also producing a new feature film written by Rocaberti alumni, Carrie Wachob.

Previously, Wendy served as Vice President for UK’s media conglomerate Granada Entertainment, where she oversaw development and international co-productions. She was an executive for production companies based at Sony, Disney and Universal, developing and producing projects that received Humanitas, NAACP, WGA, and Golden Globe Awards, starring actors such as Sissy Spacek, Helen Mirren, Robert DeNiro, Diane Keaton, Queen Latifah, and Katie Holmes, to name a few. Past credits include MAD MONEY directed by Oscar-winning writer/director Callie Khouri (THELMA & LOUISE) and SALLY HEMINGS: AN AMERICAN SCANDAL for CBS, which won the WGA award for outstanding writing in a miniseries.

Wendy also manages a small group of screenwriters and filmmakers, including John W. Richardson, who wrote the action blockbuster NON-STOP for Universal, which starred Liam Neeson, Julianne Moore and Lupita Nyong’o.

Wendy graduated Cum Laude from Columbia University in New York City. She has been a guest speaker and conducted film and television workshops at Harvard University, USC School of Cinematic Arts, UCLA and NYU Tisch. Creative Screenwriting Magazine ranks Wendy as one of the industry’s top script consultants.

Prior to co-founding the management/production company Fictional Entity in January 2017, Chris Deckard spent over seven years working with and representing talent at major agencies such as ICM Partners and WME. He has worked closely with traditional and new media buyers to find and develop content for domestic and international audiences. In addition to helping cast and package numerous features and series, he has evaluated thousands of scripts for actors and directors. Chris graduated from Cornell University and earned his J.D. from Notre Dame Law School.

Fictional Entity’s clients have been named to The Black List, The Hit List, The Young & Hungry List, The Blood List and been lauded by the PAGE Awards, the International Emmys’ Peter Ustinov Award for exceptional international television writing and placed as finalists in The Heath Ledger Scholarship and the Academy Nicholl Fellowship The Academy Nicholl Screenwriting Awards, the AWG, ADG, SPA, and AACTA. Clients have written, directed, starred, and produced in numerous formats, including features, TV, virtual reality, and podcasts, independently and for companies like Netflix, NBCUniversal, Legendary, Marvel, Fremantle, SyFy, the CW, Warner Bros., Amazon, Blumhouse, Comedy Central, the ABC Australia, Foxtel, TruTV, Super Deluxe, Hallmark, CBS, Facebook, E!, and MSNBC.

Chris has advised clients through multiple successful series pilot and pitch sales. In 2019, Fictional Entity clients have: staffed on Netflix and Amazon series; directed features and high-budget shorts; entered option and shopping agreements with high-profile producers; and have premiered feature films and shorts at festivals around the world.