Early May 2023
May 5th-10th, 2023
Have you dreamed of writing a screenplay and seeing it come to life on the silver screen?
Or maybe you’ve published a book and are wondering about how to turn it into a film script?
Seems impossible, right?
Well, the answer, is, NO! Nothing is impossible, and on this one-of-a-kind writers’ retreat, at the beautiful 14th century Marouatte Castle, in the heart of the Dordogne, France, owned by music industry legend Miles Copeland, former manager of Sting and The Police, we’ll show you just how your words, your vision—let’s face it, your baby—can make it all the way to the big screen!
Kelly Edwards recently transitioned from inside the network ranks into a writing and producing deal with HBO under her Edwardian Pictures banner.
In her former executive role, she oversaw all of the emerging artists programs for HBO, HBOMax, and Turner. The pilots she produced through the HBOAccess Writing and Directing fellowships have screened at major film festivals including Tribeca and SXSW, and garnered multiple awards.
Prior to HBO, Edwards was a key corporate diversity executive at Comcast/NBCUniversal for over five years where she oversaw over 20 divisions, launched employee resource groups, and introduced diverse creative talent to NBC, USA, Syfy, Bravo, and Telemundo.
Edwards’ career spans both television and film. Early in her career, she worked as a creative executive in features at both Disney and Sony under such talents as Garry Marshall and Laura Ziskin. After moving to television, she served as a senior executive at FOX where she developed LIVING SINGLE, CLUELESS, and THE WILD THORNBERRYS. While heading up UPN’s Comedy division as the SVP of Comedy Development, she developed GIRLFRIENDS, THE PARKERS, and MALCOLM IN THE MIDDLE.
Edwards also produced the movie of the week A CHRISTMAS DETOUR for Hallmark and the one-hour drama series SEX, LOVE, AND SECRETS. In 2000, Edwards co-founded the non-profit organization Colour Entertainment, a networking group for diverse creative executives in TV, Film, Digital, as well as assistants, all designed to connect current and future industry executives with one another.
Edwards graduated from Vassar College with a Bachelor of Arts degree in Theater and an MFA in Writing for Film and TV at Emerson College. She served on the Annenberg Inclusion Board and is a 2019 Sundance Episodic Lab fellow. Her book, The Executive Chair: A Writer’s Guide to TV Development, debuted as an instant Amazon Best Seller. She currently writes for the FOX drama OUR KIND OF PEOPLE and splits her time between Los Angeles and Missoula, Montana.
Prior to co-founding the management/production company Fictional Entity in January 2017, Chris Deckard spent over seven years working with and representing talent at major agencies such as ICM Partners and WME. He has worked closely with traditional and new media buyers to find and develop content for domestic and international audiences. In addition to helping cast and package numerous features and series, he has evaluated thousands of scripts for actors and directors. Chris graduated from Cornell University and earned his J.D. from Notre Dame Law School.
Fictional Entity’s clients have been named to The Black List, The Hit List, The Young & Hungry List, The Blood List and been lauded by the PAGE Awards, the International Emmys’ Peter Ustinov Award for exceptional international television writing and placed as finalists in The Heath Ledger Scholarship and the Academy Nicholl Fellowship The Academy Nicholl Screenwriting Awards, the AWG, ADG, SPA, and AACTA. Clients have written, directed, starred, and produced in numerous formats, including features, TV, virtual reality, and podcasts, independently and for companies like Netflix, NBCUniversal, Legendary, Marvel, Fremantle, SyFy, the CW, Warner Bros., Amazon, Blumhouse, Comedy Central, the ABC Australia, Foxtel, TruTV, Super Deluxe, Hallmark, CBS, Facebook, E!, and MSNBC.
Chris has advised clients through multiple successful series pilot and pitch sales. In 2019, Fictional Entity clients have: staffed on Netflix and Amazon series; directed features and high-budget shorts; entered option and shopping agreements with high-profile producers; and have premiered feature films and shorts at festivals around the world.
Wendy Kram is a producer and the founder of L.A. For Hire, an international consulting company that specializes in acquiring IP, developing scripts, packaging them with talent and directors and matching them with production companies, studios, streaming providers, networks and cable companies.
Wendy served as Vice President for UK’s media conglomerate Granada Entertainment, where she oversaw development and international co-productions. She was an executive for production companies based at Sony, Disney and Universal, developing and producing projects that received Humanitas, NAACP, WGA, and Golden Globe Awards, starring actors such as Sissy Spacek, Helen Mirren, Robert DeNiro, Diane Keaton, Queen Latifah, and Katie Holmes, to name a few. Past credits include MAD MONEY directed by Oscar-winning writer/director Callie Khouri and SALLY HEMINGS: AN AMERICAN SCANDAL for CBS, which won the WGA award for outstanding writing in a miniseries. Currently, she is producing several film and TV projects with Anonymous Content, OWN, Forest Whitaker’s Significant Pictures, Tribeca, Whoopi Goldberg, and Disney+, among others. Wendy also manages a small group of screenwriters and filmmakers, including John W. Richardson, who wrote the action blockbuster NON-STOP for Universal, which starred Liam Neeson, Julianne Moore and Lupita Nyong’o.
Wendy graduated Cum Laude from Columbia University in New York City. She has been a guest speaker and conducted film and television workshops at Harvard University, USC School of Cinematic Arts, UCLA and NYU Tisch. Creative Screenwriting Magazine ranks Wendy as one of the industry’s top script consultants.
Ramfis Myrthil is a New York-based filmmaker who applies a city-grown work ethic to the world of film and media. He made his name producing films by people of color, women, and the LGBTQ community, and seeks to promote themes of passion and integrity in all of his work.
Ramfis’ started his journey in the film industry by premiering his first short, entitled Love and the Small Print (2012), at the 65th Annual Cannes Film Festival, where it was picked up by Shorts International for worldwide distribution. He then went on to produce a music video entitled “Any Other Way” for the legendary rock band The Zombies. After that, Ramfis became involved with the feature film A Boy, A Girl, and A Dream (2018), which premiered at Sundance and was acquired by Samuel Goldwyn Films for theatrical release.
Ramfis went on to co-found Beast of the East Productions, where he developed a successful and proven body of work as a producer. One of his most celebrated feature films, entitled Cicada (2021), has won awards at several film festivals around the world, and was purchased by Strand Releasing for North American distribution. Cicada was then sold to several distributors in the UK, Poland, Germany, Switzerland, France, and Ireland for theatrical release Spring 2022. Cicada was also nominated for an Independent Spirit award in the spring of 2022. More recently, Ramfis found success in the Tribeca Film Festival Creators Market with his project entitled 5150 (2021), which explores mental illness in the black community. The film was executive produced alongside David Oyelowo.
Ramfis is an advisor for Sundance Film Institute’s Collab producing program, where he works with a diverse group of worldwide filmmakers, develops work in progress, and helps elevate the voices of independent storytellers. Ramfis is also a co-founder of the Hyphen Grant, a program built to fund, develop, support, and champion Caribbean filmmakers and the development of the film industry throughout the Caribbean and West Indies.
Ramfis’ continued success and mentorship within the film industry has also earned him several accolades. He was named to Stars' 2018 40 Under 40 list in 2018, and has served as a panelist across a variety of film festivals. He is a regular speaker, advisor, board member, and mentor at the Cannes Film Festival, the UK’s Raindance, South by Southwest, and most recently the British Film Institute. Ramfis is also serving as the co-president of the Black TV & Film Collective, where he continues to bring more black voices into the world of film and television.
Ramfis' passion for film is matched only by his drive for sharing his knowledge with the next generation of creators. He has served as a judge for the 2018 BAFTA Student Film Awards, a member of PAC (Program Advisory Committee) at Five Towns College, and as a repeat speaker at NYU, Columbia University, Hofstra University, and HBCUs across the country, He is also an adjunct professor at Five Towns College, where he continues to teach “Advanced Producing” to the next generation of filmmakers.
Ramfis also volunteers with Mythic Bridge, The Parity Project, The "I Can Still Do That" Foundation, Teach for America, Schools That Can, Hofstra University's Youth Film Day, and Blacks on Wall Street. He mentors students on both coasts by working with NPower, a nonprofit organization focused on helping young graduates enter the professional world. He is also an active member of BAFTA NY, Toastmasters International, SEC Roughriders, and he is a board member at The Long Island Film and TV Foundation and the Hollywood Radio & Television Society (HRTS).
Ramfis is excited to announce that his most recent achievement, a short-film entitled RICKY (2022), is premiering at the 2023 Sundance Film Festival. Sundance will also mark the launch of Ramfis’ new production company, entitled Ramfis Productions. This company is created by and dedicated to Caribbean filmmakers, and it is devoted to championing BIPOC, women-led, and queer stories from all over the world.
Niall Johnson has been a British-based film writer and director for 20+ years. His most recent work is as a writer on the visually-striking animated drama-documentary ANOTHER DAY OF LIFE, based on the memoir by Ryszard Kapuscinski about the Angolan civil war of the mid-1970s. Winner of the Best Animated Film at this year’s European Film Awards, it received its World Premiere at the 2018 Cannes Film Festival. Niall’s two most recent films as Writer-Director were released within a year of each other: MUM’S LIST (2016) the critically-acclaimed true story weepie romance based on St John Greene’s best-selling memoir, starring Rafe Spall and Emilia Fox; and the Western-styled adventure story THE STOLEN (2017) set in New Zealand’s 1860s Gold Rush, starring Alice Eve, Jack Davenport, Graham McTavish and Richard O’Brien.
Niall came to Hollywood’s notice in 2003 with his spec supernatural script WHITE NOISE, starring Michael Keaton, which opened in January 2005 at #1 in the UK and #2 in the US, where it broke the record at the time for the biggest January opening for a non-sequel. In 2005 Niall wrote and directed black comedy KEEPING MUM, starring Rowan Atkinson, Maggie Smith, Kristin Scott Thomas, and Patrick Swayze. He adapted the script from an original by Pulitzer Prize-winning novelist Richard Russo (Nobody’s Fool, Empire Falls). His other credits include wife-swapping comedy-drama THE BIG SWAP, and traditional haunted house TV-Movie THE GHOST OF GREVILLE LODGE starring Prunella Scales and George Cole.
Born and raised in Sutton Coldfield, near Birmingham, Niall’s passion for movies is a result of a childhood spent producing epic remakes of the likes of PLANET OF THE APES, STAR TREK, DOCTOR WHO and BATMAN with his brother, a friend, and a silent Kodak 8mm film camera—the most notable recurring feature of these being his mother’s laundry hanging on the washing line in the back-yard.
The Retreat includes...