Joan Lane is a British film and theatre producer, primarily known for having developed the Academy Award-winning THE KING’S SPEECH, directed by Tom Hooper, starring Colin Firth, Geoffrey Rush, and Helena Bonham Carter, and adapted from the stage play by its author David Seidler.

Her company, Wild Thyme Productions, has toured six innovative productions of Shakespeare’s plays in the UK and Germany (including the first all-female production of ‘Hamlet’) mounted world premiere showcase performances of new plays and musicals in London, and has a double bill in development for late 2023-2024. 

Primarily engaged as a Consultant by the BBC, Joan’s skills were used for the recording, filming, and Royal Opera House performance of ‘The Little Prince’. She was a director for BBC Radio Two and BBC Television’s New Talent UK-wide search for the ‘Voice of Musical Theatre’, involved with background music for the film ‘The Actors’, coordinated the participation of singing Angels for Stephen Fry’s directorial film debut ‘Bright Young Things’ and casting director and coordinator on a BBC’s Promenade Concert/Opera ‘The Water Diviner’s Tale’. As well as touring with her own company, she has worked on plays at the Royal National Theatre and toured with ATG, PW Productions, and Pleasance Theatre. For the last few years, she has been the resident judge on the Kenneth Branagh Award for New Drama Writing.

Joan recently edited two books, alongside which she and the writers developed TV series which are about to go to market. Brought in to edit the screenplay of ‘Gateway to the West’, she went on to completely rewrite it. The film is now in post-production and due out later this year (https://www.imdb.com/title/tt13542474/). Her first fully original screenplay, completed in 2018 and based on a true story, is expected to go into production in early 2024.

Prior to co-founding the management/production company Fictional Entity in January 2017, Chris Deckard spent over seven years working with and representing talent at major agencies such as ICM Partners and WME. He has worked closely with traditional and new media buyers to find and develop content for domestic and international audiences. In addition to helping cast and package numerous features and series, he has evaluated thousands of scripts for actors and directors. Chris graduated from Cornell University and earned his J.D. from Notre Dame Law School.

Fictional Entity’s clients have been named to The Black List, The Hit List, The Young & Hungry List, The Blood List and been lauded by the PAGE Awards, the International Emmys and placed as finalists in The Heath Ledger Scholarship and the Academy Nicholl Fellowship The Academy Nicholl Screenwriting Awards, the AWG, ADG, SPA, and AACTA. Clients have written, directed, starred, and produced in numerous formats, including features, TV, virtual reality, and podcasts, independently and for companies like Netflix, NBCUniversal, AMC, Legendary, Meta, Marvel, Fremantle, SyFy, the CW, Warner Bros., Amazon, Blumhouse, Comedy Central, BBC, the ABC Australia, Foxtel, TruTV, Super Deluxe, Hallmark, CBS, Lifetime, E!, and MSNBC.

Chris has advised clients through multiple successful series pilot and pitch sales. He and his business partner were non-writing Executive Producers on a series pilot that sold to a major US network in 2021. In 2024, Fictional Entity client highlights include: a book-to-series pitch sale to Netflix, a first-time writer/director’s feature film entering production, the release of three series from first-time writing Executive Producers, and a feature film release.

Kala Guess is the industry liaison for Final Draft and the Contest Director for the Final Draft Big Break Screenwriting Contest.

As the Director of the Big Break Contest, Kala champions screenwriters to break into the industry and to date has had seven writers signed (two of whom sold pilots and a spec in the room!), one writer staffed as a showrunner’s assistant and six option deals, amongst numerous other successes. 

Kala has successfully evolved the contest alumni into one of the largest in the business and a real community where filmmakers mix with industry movers and shakers from top studios and streaming platforms, such as Berlanti Productions, CBS, Starz, HBO, Netflix, NBC and many more. 

She is also the driving force behind Final Draft’s move towards representation and inclusivity in the entertainment industry, which includes partnerships with Sundance, The Black List, Women in Film, The Geena Davis Institute, Free the Work, CBS Diversity & Inclusion, NBC Talent and Inclusion, NALIP, NHMC, Bromont Program, Get Lit, Ghetto Film School and many more. Kala also championed Final Draft to create the Inclusivity Analysis Feature, a free tool for studios and writers to measure how inclusive a script is.

As Content Producer for Final Draft, Kala has built strong relationships with major PR companies, such as 42 West, Netflix,  Strategy PR, Ginsberg Libby, Warner Brothers, and many more and is regularly invited to speak on panels about writing, development, producing and inclusion. 

With ten years of experience in the entertainment industry, a passion for championing storytellers, a keen eye for talent, and a vast network of aspiring and award-winning creators, Kala continues to turn her ‘wild’ ideas into exciting success stories and is looking forward to mentoring at the retreat to work with each writer to help them get their scripts market-ready.

Niall Johnson has been writing and directing movies for over 30 years.

He came to Hollywood’s notice in 2003 with his spec supernatural script WHITE NOISE, starring Michael Keaton, which opened in January 2005 at #1 in the UK and #2 in the US, where it broke the box-office record at the time for the biggest January opening for a non-sequel.

In that same year, 2005, Niall wrote and directed the black comedy classic KEEPING MUM, starring Rowan Atkinson, Maggie Smith, Kristin Scott Thomas (winning the London Film Critics 2006 Best Actress Award award), and Patrick Swayze. Niall adapted the script from an original by Pulitzer Prize-winning novelist Richard Russo (Nobody’s Fool, Empire Falls)—winning them the 2006 HBO Comedy Festival Best Screenplay Award.

Niall’s other credits include: wife-swapping comedy-drama THE BIG SWAP (1996); traditional haunted house TV-Movie THE GHOST OF GREVILLE LODGE (1999), starring Prunella Scales and George Cole; MUM’S LIST (2016) the critically-acclaimed true story weepie romance based on St John Greene’s best-selling memoir, starring Rafe Spall and Emilia Fox; and the Western-styled adventure story THE STOLEN (2017) set in New Zealand’s 1860s Gold Rush, starring Alice Eve, Jack Davenport, Graham McTavish and Richard O’Brien.

Niall was a writer on the visually-striking animated drama-documentary feature ANOTHER DAY OF LIFE, based on the memoir by Ryszard Kapuscinski about the Angolan civil war of the mid-1970s. It received its World Premiere at the 2018 Cannes Film Festival and was voted Best Animated Film at the European Film Awards.

His most recent work is the Family Fantasy Adventure movie LEGEND HAS IT, starring Rupert Everett, Tamsin Grieg and Emilia Fox and an array of up-and-coming British acting talent. Niall has also been lead director on the new comfy-crime British-Greek TV show THE SUNSHINE MURDERS for Paramount+, debuting on the UK’s Channel 5 in Summer 2025.

Born and raised in Sutton Coldfield, near Birmingham, Niall’s passion for movies is a result of a childhood spent producing epic remakes of the likes of PLANET OF THE APES, STAR TREK, DOCTOR WHO and BATMAN with his brother and a silent Kodak 8mm film camera—the most notable recurring feature of these being his mother’s laundry hanging on the washing line in the back-yard!

Niall has been a Rocaberti mentor since 2019.